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TRINITY CHOIR VICTOR 35768 Messiah Hallelujah Chorus/Gloria 12th mass
V/v sol both sides. EC on A side, extending into three or four grooves.
Trinity Choir (Vocal group) 
Mark Andrews (instrumentalist : pipe organ) 
Frederic Baer (vocalist : baritone vocal) 
Della Baker (vocalist : soprano vocal) 
Elsie Baker (vocalist : contralto) 
Stanley Baughman (vocalist : baritone vocal) 
Rose Bryant (vocalist : contralto) 
Clifford Cairns (choral director) 
Helen Clark (vocalist : soprano vocal) 
Richard Crooks (vocalist : tenor vocal) 
Frank Croxton (vocalist : bass vocal) 
Royal Dadmun (vocalist : baritone vocal) 
Emily Stokes Hagar (vocalist : soprano vocal) 
Foster House (vocalist : tenor vocal) 
W. Howard (vocalist : tenor vocal) 
Edna Indermauer (vocalist : contralto) 
Olive Kline (vocalist : soprano vocal) 
I. Laurie (vocalist : tenor vocal) 
Lucy Isabelle Marsh (vocalist : soprano vocal) 
Carl Mathieu (vocalist : tenor vocal) 
Millholland (vocalist : contralto) 
Fred Patton (vocalist : bass vocal) 
Mildred G. Reardone (vocalist : soprano vocal) 
James Stanley (vocalist : baritone vocal)

Recorded 2/2/1926

TRINITY CHOIR VICTOR 35768 Messiah Hallelujah Chorus/Gloria 12th mass

$3.99 Regular Price
$2.00Sale Price
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Quantity

    We Use The VJM Record Grading System

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    NB 45s use the LP system as below.

     

    N (78) M (LP). As new and unplayed (there are virtually no 78s that can categorically be claimed to be unplayed).

    N- (78) M- (LP). Nearly Mint, but has been played. No visible signs of wear or damage.

    E+ (78) VG+ (LP). Plays like new, with very, very few signs of handling, such as tiny scuffs from being slipped in and out of jackets.

    E (78) VG (LP). Still very shiny, near new looking, with no visible signs of wear, but a few inaudible scuffs and scratches.

    E- (78) VG- (LP). Still shiny but without the lustre of a new record, few light scratches.  LP: Some wear, scratches and scuffs, but no skipped or repeat grooves.

    V+ (78) G+ (LP) V+ is an average condition 78 in which scuffs and general use has dulled the finish somewhat. Wear is moderate but playing is generally free from distortion. Surface noise not overly pronounced. LP: Below average with scuffs and scratches on fewer than half the tracks. No skips or repeat grooves.

    V (78) G (LP). Moderate, even wear throughout, but still very playable. Surface noise and scratches audible but not intrusive.

    V- (78) G- (LP). Quite playable still, but distortion and heavy greying in loud passages. Music remains loud in most passages. Surface noise and scratches well below music level. LP: Lowest Grade. Audible scratches, etc. on more than half the tracks. Listening uncomfortable.

    G+ (78). Grey throughout but still serviceable. Music begins to sound muffled. Heavy scratches.

    G (78). Quite seriously worn and scratched, but music level is still higher than surface noise.

    G- (78). Music still prominent, but wear and scratch damage extensive.

    F (78). Most of music remains audible over surface noise, but listening now uncomfortable.

    P (78). Unplayable.

    NB: Damage to labels and jackets (LP) should be noted whenever present.

     

    Abbreviations: sfc = surface; lbl = label; nap = not affecting play; scr/scrs = scratch/scratches; lc = lamination crack; cr = crack; hlc/hc = hairline crack; wol = writing on label; sol = sticker on label; fade = faded label; gr/grs = groove/grooves; eb = edge bite; ec = edge chip; ef = edge flake; rc = rim chip.

     

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